Comprehensionsummary - English Language Jamb Past Questions and Answers

Question 16 :

• JAMB 1979

The earthly paradises of Bali and of the South Sea Islands, and the gentle, non-acquisitive civilization of Burma, have been aptly described and romanticized. One can add to then the Nicobar Islands, where a small population lived happily on a very low cultural level. But perhaps the most remarkable and the least known of these earthly paradise is the small kingdom of Hunza in the Himalayas, which was recently visited and enthusiastically described by the journalist, Noel Barber (Daily Mail, 5, 6, 8 June 1962). A fair-skinned population of 18,000, they lived in a fertile and almost inaccessible valley not far from the Sinking boarder, 8,000 feet up. A legend has it that they are the descendants of the three deserters from the army of Alexander the Great, who here with Persian wives which makes one inclined to believe that pacifism may be hereditary , because these people had no war in 2,000 years. They have no money, no crime and no diseases, they rarely die before ninety. Their psychosomatic control is almost unbelievable, childbirth is painless, and toothache, a joke; they keep their numbers stationary without contraceptives, and without abortion, but by sheer abstinence, though Noel; Barber saw the newborn son of a chuckling father aged eighty-nine. Their diet which consists of mostly apricot and raw vegetables may have something to do with their unshakable serenity. It makes one gasp with surprise that human nature can be like this. One is reminded of Island, but unlike the Palanese, the Hunza people have no art, only serenity!


which of the following statements is not true of the Hunza people?

A. They have no money
B. There are no crimes
C. They have had no wars
D. They live till a ripe old age
E. They have no disease

Question 17 :

• JAMB 1979

There is one fascinating question that arises out of the contemplation of mud sculpture. Why should anybody use unbaked mud, the most perishable of materials? Is it because no other material is readily available? The question is not easy to answer definitely. Mud, is, of course, the cheapest and most readily available material. Yet there is ample proof that mud is not used merely because it is easy to get hold of and cheap. Many Igbo Mbari houses are the only buildings in the village that have an imported corrugated iron roof which prove that the people who built them shun no cost to make them look important. In all the areas where I have seen mud sculpture, wood carving and brass casting are also known and practiced. In Yoruba country, stone is also used as a medium for sculpture.
One important thing to realize is that different materials are not necessarily used because they have lasting, durable qualities. In Yoruba country today, brass can only be used by Oshun or Ogboni worshippers. Ivory can only be used by Obatala worshippers, copper by Sonponna, iron by Ogun and so on.
Materials are used for their mystic properties of absorbing or repelling human radiation. The Obatala worshippers used Ivory as protection, in the sense that it is protecting him from the destructive psychic influences of a man whose mentality is basically different or opposed to his. Similarly Oshun worshippers uses brass figure in their shrines not because brass last longer than wood, but because brass possesses certain magical qualities that are sacred to Oshun.
It is not difficult to understand why mud is considered the appropriate medium for Ala (the Igbo earth goddess). Olokun (the Bini god of the ocean), or Legba (originally an earthgod of the Fon). The fact that the material is perishable and sometimes does not even last five years does not enter into the consideration. One does not interfere with the natural life of a carving. When it perishes, a new one simply has to be made.


The Igbos often use corrugated iron for the roofs of their Mbari houses

A. Inorder to make them look important
B. Inorder to protect the mud walls
C. Because it lasts longer than thatch
D. Because it is less imposing than thatch
E. Because it is expensive

Question 18 :

• JAMB 1979

There is one fascinating question that arises out of the contemplation of mud sculpture. Why should anybody use unbaked mud, the most perishable of materials? Is it because no other material is readily available? The question is not easy to answer definitely. Mud, is, of course, the cheapest and most readily available material. Yet there is ample proof that mud is not used merely because it is easy to get hold of and cheap. Many Igbo Mbari houses are the only buildings in the village that have an imported corrugated iron roof which prove that the people who built them shun no cost to make them look important. In all the areas where I have seen mud sculpture, wood carving and brass casting are also known and practiced. In Yoruba country, stone is also used as a medium for sculpture.
One important thing to realize is that different materials are not necessarily used because they have lasting, durable qualities. In Yoruba country today, brass can only be used by Oshun or Ogboni worshippers. Ivory can only be used by Obatala worshippers, copper by Sonponna, iron by Ogun and so on.
Materials are used for their mystic properties of absorbing or repelling human radiation. The Obatala worshippers used Ivory as protection, in the sense that it is protecting him from the destructive psychic influences of a man whose mentality is basically different or opposed to his. Similarly Oshun worshippers uses brass figure in their shrines not because brass last longer than wood, but because brass possesses certain magical qualities that are sacred to Oshun.
It is not difficult to understand why mud is considered the appropriate medium for Ala (the Igbo earth goddess). Olokun (the Bini god of the ocean), or Legba (originally an earthgod of the Fon). The fact that the material is perishable and sometimes does not even last five years does not enter into the consideration. One does not interfere with the natural life of a carving. When it perishes, a new one simply has to be made.


Different materials are chosen because

A. They are considered suitable
B. Some are difficult to obtain
C. They are used by different worshippers of the same god
D. They are thought to have particular physical powers
E. They are associated with different deities

Question 19 :

• JAMB 1979

There is one fascinating question that arises out of the contemplation of mud sculpture. Why should anybody use unbaked mud, the most perishable of materials? Is it because no other material is readily available? The question is not easy to answer definitely. Mud, is, of course, the cheapest and most readily available material. Yet there is ample proof that mud is not used merely because it is easy to get hold of and cheap. Many Igbo Mbari houses are the only buildings in the village that have an imported corrugated iron roof which prove that the people who built them shun no cost to make them look important. In all the areas where I have seen mud sculpture, wood carving and brass casting are also known and practiced. In Yoruba country, stone is also used as a medium for sculpture.
One important thing to realize is that different materials are not necessarily used because they have lasting, durable qualities. In Yoruba country today, brass can only be used by Oshun or Ogboni worshippers. Ivory can only be used by Obatala worshippers, copper by Sonponna, iron by Ogun and so on.
Materials are used for their mystic properties of absorbing or repelling human radiation. The Obatala worshippers used Ivory as protection, in the sense that it is protecting him from the destructive psychic influences of a man whose mentality is basically different or opposed to his. Similarly Oshun worshippers uses brass figure in their shrines not because brass last longer than wood, but because brass possesses certain magical qualities that are sacred to Oshun.
It is not difficult to understand why mud is considered the appropriate medium for Ala (the Igbo earth goddess). Olokun (the Bini god of the ocean), or Legba (originally an earthgod of the Fon). The fact that the material is perishable and sometimes does not even last five years does not enter into the consideration. One does not interfere with the natural life of a carving. When it perishes, a new one simply has to be made.


'Basically as used in the above sentence means

A. Entirely
B. Completely
C. Necessarily
D. Simply
E. Essentially

Question 20 :

• JAMB 1979

There is one fascinating question that arises out of the contemplation of mud sculpture. Why should anybody use unbaked mud, the most perishable of materials? Is it because no other material is readily available? The question is not easy to answer definitely. Mud, is, of course, the cheapest and most readily available material. Yet there is ample proof that mud is not used merely because it is easy to get hold of and cheap. Many Igbo Mbari houses are the only buildings in the village that have an imported corrugated iron roof which prove that the people who built them shun no cost to make them look important. In all the areas where I have seen mud sculpture, wood carving and brass casting are also known and practiced. In Yoruba country, stone is also used as a medium for sculpture.
One important thing to realize is that different materials are not necessarily used because they have lasting, durable qualities. In Yoruba country today, brass can only be used by Oshun or Ogboni worshippers. Ivory can only be used by Obatala worshippers, copper by Sonponna, iron by Ogun and so on.
Materials are used for their mystic properties of absorbing or repelling human radiation. The Obatala worshippers used Ivory as protection, in the sense that it is protecting him from the destructive psychic influences of a man whose mentality is basically different or opposed to his. Similarly Oshun worshippers uses brass figure in their shrines not because brass last longer than wood, but because brass possesses certain magical qualities that are sacred to Oshun.
It is not difficult to understand why mud is considered the appropriate medium for Ala (the Igbo earth goddess). Olokun (the Bini god of the ocean), or Legba (originally an earthgod of the Fon). The fact that the material is perishable and sometimes does not even last five years does not enter into the consideration. One does not interfere with the natural life of a carving. When it perishes, a new one simply has to be made.


the durability of a carving

A. Is not considered important
B. Is less than five years
C. Should not be interfered with
D. Is natural
E. Is related to its mystic properties